Sunday, June 7, 2009

Digi Dare 136



FAMILY VALUES 1: CHARITY
Digital Scrapbook page 12cm x 12cm

On first glance of this layout, those who know me may be persuaded that I am now in La-La land, but let me remind you that the Devil is in the detail. This week's Digi-Dares Challange is to journal a conversation; to include a word from that conversation in the title and to incorporate quotation marks somewhere in the layout. This layout is my response to that challenge with the exception of one possibly important factor: I did not actually witness the conversation, it was related to me by my mother and father, on a number of occasions during my childhood and adolescence. No doubt, if I were to remind them of it now, I'm sure that they could relate events to me as if it were yesterday, The story that this layout alludes to has haunted all our lives.

The title on the plaque is: Charity begins at home, and the text on the postcard reads: Uncle Wal stood in front of the fire and said: "well Maree, don't expect charity from us, you've made your bed and now you'll have to lie on it."

The people in the photograph are my mother, my paternal grandparents, my Godfather and his wife (friends of the family whom I knew as Uncle George and Auntie Maureen) and my aunt. My father took the photograph but as he is not here to verify the date, I'm hazarding a guess at mid 1959 because all the ladies are wearing pretty summer frocks and posing with grand dad in the sitting room of the house to which my family moved in 1959. Up until then, my grandmother had run a small ladies and children's clothing and haberdashery shop on the High Street, but just after I was born, she went bankrupt. Nan's generosity was legend. Dad once told me "your grannie was so kind, if a kid came into the shop without a coat on his back, she'd give him one." The sum of money that ruined Nan was really quite small and Grandad could have asked the bank for help but he was a proud man and felt humiliated by the consequences of his wife's kindness: He told me "H.P. (Hire Purchase) was new and all the rage then. If a customer couldn't pay, your grannie would take pity and let them have it on tick." Grandad would have walk the streets to collect overdue repayments, knocking on doors that never opened. One by one, their so-called friends, the beneficiaries of Nan's good nature, all disappeared.

My grandmother was a proud woman who through hard work and determination, had risen from humble beginnings to middle-class respectability. She never recovered from the shame of financial ruin but tried to keep up appearances, working long punishing hours as a waitress at the Council House in Birmingham. I grew up in the shadow of her failure and even as a small child was painfully aware and resentful of the condescension other family members displayed towards my lovely Nan and never grew fond of Uncle Wal who reputedly lectured his sister upon her financial "bed-making".

Should any of you be charmed by the bouquet of pressed flowers in this layout, I must inform you that they are all poisonous. Here's a list of side effects:
Sweet Pea: Upon ingestion, causes permanent paralysis, slow and weak pulse, shallow breathing, pain, weakness, tremors, excitement, and convulsions.
Buttercup: Blistering and ulceration of the mouth when eaten
Larkspur: burning sensation of the mouth and skin, nervousness, headache, weakness, prickling of the skin, low blood pressure, nausea, vomiting, depression, weak pulse, and convulsions. If eaten in large quantities, death may occur in less than 6 hours.
Foxglove: Pain in the oral cavity, nausea, vomiting, abdominal pain, cramping, and diarrhea.
Crocus: Skin irritant and vesicant. Ingestion causes ulceration of the mouth and severe gastroenteritis.
Morning Glory: Hallucinations, panic, detachment, incoherent speech, cold hands and feet, nausea, vomiting, laughing and crying jags, strong body odor, mental disorder, and suicidal attempts.

Monday, May 25, 2009

Oenone



OENONE

One of the joys of digital art is that in the creation of one image one often finds another one inside it. My work process is actually an act of vandalism as it involves mashing up perfectly lovely digital scrap elements and papers until even their designer's no longer recognise them. This image grew out of and evolved alongside my latest William, John and Jane card. It draws no reference whatsoever from the Oenone of Greek mythology, but from a beautiful Julia Margaret Cameron Albumen print of the same name.

William, Jane & John: The Wages of Conscience




THE WAGES OF CONSCIENCE
Links to other images in this story sequence:

Another Eden
Distillation
River Street 1861: The Shadow and Solace of Temperance

Thursday, May 21, 2009

William, Jane & John: The Shadow and Solace of Temperance II





THE SHADOW AND SOLACE OF TEMPERANCE
Reworked








Although I was happy with the first version of this card, as an image, I hadn't explored everything that I'd wanted about this particular episode of the story, so I've spent time re-working it. As usual, I have produced about ten versions, some close to the narrative but conveying different aspects of it through colour, such as the first two posted here. Others, I enjoy simply as images, such as the last of the three.

Credits
Background: paper developed from a photograph that I took inside the old school house in Foy, Herefordshire in 1998 and another in Lille, France in 2000.
Overlaid with:
Paper: Bohemian Krafty by Miss Vivi
Paper: Bohemian August available at Miss Crow's Magickal Emporium
Letter: Bohemian August available at Miss Crow's Magickal Emporium
Wings (recoloured): Altered Wings by Vera Lim
Keyhole: French Market by Laura Deacetis
Torso is extracted and altered from a photograph by Frantisek Drtikol
Ink Splat: The Necessities Collection ~ Note it by Lori Wiley Designs
Photo matte by Holliewood Studios
Texture overlays by Ninian available free at Flickr



Tuesday, May 19, 2009

William, Jane & John: Shadow and Solace




RIVER STREET: THE SHADOW AND SOLACE OF TEMPERANCE



Representing the ideals of self-control and self-denial, the Temperance Movement epitomized middle-class Victorian values. That one should at all times be in total control of oneself was of utmost importance to the Victorians...A man who indulged himself in leisure was not considered a "true man," for a "true man" denied himself pleasure and practiced self-denial. The "long pledge"...forbade anyone under the pledge oath from serving alcohol in his or her home. For the middle class, this provided serious social problems because few socialites cared to dine in someone's home and not drink wine. Also, the "long pledge" disallowed the giving or taking of sacramental wine. In lieu of these strict rules, many middle-class people who supported temperance but still wished to drink wine with their dinners, were not supportive of the teetotal movement. However, women at marrying age during this period were encouraged by teetotallers and non-teetotallers alike to only marry men who were teetotal.
Taken from The Temperance Movement and Class Struggle in Victorian England by Rebecca Smith

I'm working on another, slightly more colourful version of this image which I may post later in the week.

Credits
Backg

Friday, May 15, 2009

Art Journaling: In The Moment





IN THIS MOMENT
digital collage journal page 12ins x 12 ins


This is a first for me as hitherto, I have produced pages that I considered to be journaling in that they expressed very clearly how I felt at that particular moment but I let the image do the talking rather than words. Recently, I have begun to keep a written diary, of sorts with the intention of creating journal pages, but this one, with just a few words, is a transitional piece. Over the past two years, my partner and I have been working with a wonderful bereavement councillor who has been helping us to rebuild our lives following the loss of our daughter. This week, we discussed being in the moment which is a very challenging concept for this goal-orientated perfectionist who spends a lot of her time looking into the past.

Wednesday, May 6, 2009

Gone





GONE

Digital scrapbook layout 12in X 12in




The photograph is one of collection that I found in a street market at Kaunas, Lithuania. The photographer's name: J. Baksaviclaus is stamped on the back. Nothing else is known of its provenance but it would appear to have been taken before the Second World War and so I can't help but wonder what became of all those little barefoot village children and their pretty school teachers.


Credits: Most of the elements and papers, recoloured and blended are from Opal by Britt Bree and available at Pretty Scrappy. Also items from Vintage Overlays available at Miss Crow's Magickal Emporium; texture freebies by Ninian available from Flickr and commercial overlays from Digiscrap Boutique